Asaka Namba
難波沙香(2020)
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Go virtual?
In 2020, we always talk about going virtual. In the times of staying home, what we do is to think of what we can do.
We ate, played and had sex. It’s dull, we know.
We eat, play and have sex. It’s still dull, we know.
With the abandonment of camera movements, a surveillance-like camera was set to create a virtually physical space for Asaka Namba, a virtual character, to experience our habitual behaviours.
We all are under camera.
No wonder. It’s virtual.
Go virtual?
In 2020, we always talk about going virtual. In the times of staying home, what we do is to think of what we can do.
We ate, played and had sex. It’s dull, we know.
We eat, play and have sex. It’s still dull, we know.
With the abandonment of camera movements, a surveillance-like camera was set to create a virtually physical space for Asaka Namba, a virtual character, to experience our habitual behaviours.
We all are under camera.
No wonder. It’s virtual.
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Directors Wai Lok CHAN and Nga Yan CHENG
Editor Nga Yan CHENG
Special thanks Ka Hei LEE
Editor Nga Yan CHENG
Special thanks Ka Hei LEE
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Performances
Drink and Dance (2021)
{POV [TWINK / COUPLE (ASIAN) / EXPERIMENTAL]} (2021)
An Auction without Bass
派對底價(2021)
Click (2021)
Everyone knows what it means to think (2019)
Dear Deer (2019)
/bɪˈtwiːn/ (2019)
Avenue Van Volxem 175, Etg 3 (2018)
Unidentified creature getting lost in unknown forest: Not found in the MISSING PERSON (2017)
Video works
POV (2021)
Heiwa Wong and Wai Lok Chan
Asaka Namba 難波沙香 (2020)
Nga Yan Cheng and Wai Lok Chan